Retro Engineering and Alternative Histories: Possible Road Toward Media Archaeological Reconstruction : Différence entre versions
(Page créée avec « Leonardo April 2017, Vol. 50, No. 2, Pages: 192-193 [http://www.mitpressjournals.org/doi/abs/10.1162/LEON_a_01388#.WP3aB4jyjDc Posted Online April 6, 2017]. (doi:10.1162/... ») |
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April 2017, Vol. 50, No. 2, Pages: 192-193 | April 2017, Vol. 50, No. 2, Pages: 192-193 | ||
[http://www.mitpressjournals.org/doi/abs/10.1162/LEON_a_01388#.WP3aB4jyjDc Posted Online April 6, 2017]. | [http://www.mitpressjournals.org/doi/abs/10.1162/LEON_a_01388#.WP3aB4jyjDc Posted Online April 6, 2017]. | ||
(doi:10.1162/LEON_a_01388) | (doi:10.1162/LEON_a_01388) | ||
©2017 ISAST | ©2017 ISAST | ||
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Morgane Stricot | Morgane Stricot |
Version du 24 avril 2017 à 12:02
Retro-Engineering and Alternative Histories: Possible Roads toward Media Archaeological Reconstruction
Leonardo April 2017, Vol. 50, No. 2, Pages: 192-193 Posted Online April 6, 2017. (doi:10.1162/LEON_a_01388) ©2017 ISAST
Morgane Stricot PAMAL (Preservation & Art—Media Archaeology Lab), Higher School of Art, Avignon, France. Email: morgane.stricot@gmail.com.
Abstract: This article gives insight into research on media archaeological reconstruction of media and digital artworks. This experimental approach, illustrated by two practical cases, results in a duplication of the artworks within their original machines and languages. Based on retro-engineering, this approach is becoming a way to investigate the known, unknown and alternative stories by and for the machines, the goal being to produce archives, witnesses of the machines’ related history and inherent imaginary.